KATHMANDU: In a world where corruption and apathy often rule the day, the play ‘Ha Bindu Ram Pandit’ offers a satirical exploration of the bitter realities that afflict contemporary Nepal. Based on the works of the renowned satirical essayist, late Bhairav Aryal, the play weaves together elements from Aryal’s essays – ‘Kaukuti,’ ‘Jayabhundi,’ and ‘Itishree’ – into a compelling theatrical narrative.
The narrative delves deep into the core issues of corruption and the lackadaisical attitude of government employees. It unveils the pervasive aura of depression, anxiety, and restlessness that hangs over the nation, a result of distortions, disharmony, irregularity, and corruption. Through the journey of Ram Pandit, the play exposes the unforgiving world of Yamaloka, the domain of Yama, the god of death, as described in the Puranas.
The heart of the play is the travails of Ram Pandit whose name alone subjects him to suffering in Yamaloka due to the oversight of Chitragupta, the registrar of death, in keeping records of his deeds. This 90-minute play artfully portrays Pandit’s journey from Earth to Yamaloka and back to Earth. In a powerful commentary on the state of impunity in the country, Ram Pandit’s return to Earth, untouched by virtue or sin, mirrors the harsh reality of Nepal. The play remains faithful to the essence of Aryal’s satirical essay, capturing the biting sarcasm that permeates his literary works.
The play navigates the complexities of storytelling while maintaining the essence of the original essays. Director Barat Limbu takes inspiration from Yamaraj, the god of death, to satirize today’s ruling class. The play vividly portrays the corruption within Yamaraj’s workforce, who demand bribes to handle Head Constable Pandit’s case, offering a sharp critique of contemporary government officials.
Ram Pandit stands as the embodiment of the common man’s suffering within public offices, portrayed with depth and conviction by the main character. The stage itself is a work of art, providing a visually stunning backdrop for the talented ensemble cast. The costumes, jewelry, and dialogue delivery of the actors appear natural and contextually relevant. While the play adeptly uses simple language, occasional bursts of English dialogue may pose a challenge for some audience members, especially children and the elderly. Likewise, a minor imbalance in tone detracts slightly from the overall performance but does not overshadow the exceptional acting. A nod to modernity is made through references to TikTok and the Murrah breed of buffalo, adding excitement and relatability for the audience.
‘Ha Bindu Ram Pandit’ successfully preserves the originality of Aryal’s work while adapting it to contemporary sensibilities. The play excels in intertwining a compelling narrative with well-drawn characters, dialogue, and a fitting atmosphere, all of which resonate with the present times. Its sharp satire of institutional corruption in Nepal serves as a poignant reminder of the relevance of Aryal’s essays, penned six decades ago.
Director Barat Limbu has truly shone in his directorial debut by bringing Bhairav Aryal’s incisive wit to life on the stage. The ensemble cast, featuring Bikas Joshi, Shravan Singh Rana Magar, Savir Churaute, Milson Rai, Savin Kattel, Roshan, Ujjwal Bantava Rai, Santosh Giri, Roshan Lohorung Rai, Sonil Rai, Yakjan Rai, and Kshitij Santosh Majhi, delivers a remarkable performance that leaves a lasting impression.
(Ha Bindu Ram Pandit Ram Bindu is being performed at Shilpee Theatre, Battisputali)
